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Gelatin silver glass plate negative
Lord Athelston, painting by Alphonse Jongers, 1925
Photography studio
Wm. Notman & Son Ltd.
(1919-1954)
SignatureNon signé / Unsigned
Date
1926
Medium / Technique
Silver salts on glass
Gelatin dry plate process
Gelatin dry plate process
Dimensions25.3 x 20.2 cm
Origin
Canada
Object NumberVIEW-23566
CollectionMcCord
CreditPurchase, funds graciously donated by Maclean’s magazine, the Maxwell Cummings Family Foundation and Empire-Universal Films Ltd.
Status
Not on viewInformation about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.Information about rights and reproductions is available here.
Jules Hamel, painting by Alphonse Jongers, copied 1925
Wm. Notman & Son Ltd.
1925
VIEW-23500
B. M. Hallward, painting by Alphonse Jongers, copied 1925
Wm. Notman & Son Ltd.
1925
VIEW-23488
Sir H. Vincent Meredith, painting by Alphonse Jongers, 1924, copied for Art Gallery in 1925
Wm. Notman & Son Ltd.
1925
VIEW-23448
B. M. Hallward, painting by Alphonse Jongers, 1925
Wm. Notman & Son Ltd.
1926
VIEW-23568
Dr. Shepherd (?), painting by Alphonse Jongers, 1924
Wm. Notman & Son Ltd.
1924
VIEW-22089.A
Dr. Francis John Shepherd, painting by Alphonse Jongers, 1924
Wm. Notman & Son Ltd.
1924
VIEW-22089
Sir J. Andrew Macphail, painting by Alphonse Jongers 1924, photographed for Sir J. Andrew Macphail in 1924
Wm. Notman & Son Ltd.
1924
VIEW-21167
Missie Porteous, 1924, painting by and copied for Alphonse Jongers, 1924
Wm. Notman & Son Ltd.
1926
VIEW-23562
Miss Rainville, painting by Alphonse Jongers, copied 1926
Wm. Notman & Son Ltd.
1926
VIEW-23588
Sir H. Vincent Meredith, painting by Alphonse Jongers, 1924
Wm. Notman & Son Ltd.
1926
VIEW-23601
Miss Rainville, painting by Alphonse Jongers, copied 1926
Wm. Notman & Son Ltd.
1926
VIEW-23587
Portrait of a naval officer, painting by Alphonse Jongers, 1924
Wm. Notman & Son Ltd.
1926
VIEW-23606
This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.