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Gelatin silver glass plate negative
B. M. Hallward, painting by Alphonse Jongers, 1925
Photography studio
Wm. Notman & Son Ltd.
(1919-1954)
SignatureNon signé / Unsigned
Date
1926
Medium / Technique
Silver salts on glass
Gelatin dry plate process
Gelatin dry plate process
Dimensions25.3 x 20.2 cm
Origin
Canada
Object NumberVIEW-23568
CollectionMcCord
CreditPurchase, funds graciously donated by Maclean’s magazine, the Maxwell Cummings Family Foundation and Empire-Universal Films Ltd.
Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.Information about rights and reproductions is available here.
B. M. Hallward, painting by Alphonse Jongers, copied 1925
Wm. Notman & Son Ltd.
1925
VIEW-23488
Jules Hamel, painting by Alphonse Jongers, copied 1925
Wm. Notman & Son Ltd.
1925
VIEW-23500
Sir H. Vincent Meredith, painting by Alphonse Jongers, 1924, copied for Art Gallery in 1925
Wm. Notman & Son Ltd.
1925
VIEW-23448
Lord Athelston, painting by Alphonse Jongers, 1925
Wm. Notman & Son Ltd.
1926
VIEW-23566
Jeffrey B. Macphail, painting by Alphonse Jongers 1929, photographed for Sir J. Andrew Macphail
Wm. Notman & Son Ltd.
1929
VIEW-24568
Dr. Shepherd (?), painting by Alphonse Jongers, 1924
Wm. Notman & Son Ltd.
1924
VIEW-22089.A
Dr. Francis John Shepherd, painting by Alphonse Jongers, 1924
Wm. Notman & Son Ltd.
1924
VIEW-22089
Sir J. Andrew Macphail, painting by Alphonse Jongers 1924, photographed for Sir J. Andrew Macphail in 1924
Wm. Notman & Son Ltd.
1924
VIEW-21167
Missie Porteous, 1924, painting by and copied for Alphonse Jongers, 1924
Wm. Notman & Son Ltd.
1926
VIEW-23562
Miss Rainville, painting by Alphonse Jongers, copied 1926
Wm. Notman & Son Ltd.
1926
VIEW-23588
Sir H. Vincent Meredith, painting by Alphonse Jongers, 1924
Wm. Notman & Son Ltd.
1926
VIEW-23601
Miss Rainville, painting by Alphonse Jongers, copied 1926
Wm. Notman & Son Ltd.
1926
VIEW-23587
This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.