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Online Collections | McCord Museum - Montreal Social History Museum
Gelatin silver film negative
Red Cross cart, World War I, painting, copied 1920
Photography studio
Wm. Notman & Son Ltd.
(1919-1954)
SignatureNon signé / Unsigned
Date
1920
Medium / Technique
Silver salts on film
Gelatin silver process
Gelatin silver process
Dimensions20 x 25 cm
Origin
Canada
Object NumberVIEW-19488
CollectionMcCord
CreditPurchase, funds graciously donated by Maclean’s magazine, the Maxwell Cummings Family Foundation and Empire-Universal Films Ltd.
Status
Not on viewInformation about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.Information about rights and reproductions is available here.
Barrage balloon and biplane, World War I , painting, copied 1920
Wm. Notman & Son Ltd.
1920
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Soldiers by shelled buildings, World War I, painting, copied 1920
Wm. Notman & Son Ltd.
1920
VIEW-19485
Shelled mill, World War I, painting, copied 1920
Wm. Notman & Son Ltd.
1920
VIEW-19492
Tank, World War I, painting, copied 1920
Wm. Notman & Son Ltd.
1920
VIEW-19491
Soldiers marching past shelled buildings, World War I, painting, copied 1920
Wm. Notman & Son Ltd.
1920
VIEW-19487
Aerial bombing, World War I, painting, copied 1920
Wm. Notman & Son Ltd.
1920
VIEW-19490
Shelling at front, World War I, painting, copied 1920
Wm. Notman & Son Ltd.
1920
VIEW-19489
Bombing scene, World War I, painting by James Wilson Morrice, copied 1924
Wm. Notman & Son Ltd.
1924
VIEW-23146
Horses and cart, painting by Maurice Cullen, copied for Watson Art Gallery 1931
Wm. Notman & Son Ltd.
1931
VIEW-24997
Horses and carts on beach, painting by J. Scherrewitz, copied for Watson Art Gallery, 1934-35
Wm. Notman & Son Ltd.
1934-1935
VIEW-25743
Two World War I soldiers on horseback, painting by Léon Galand, 1917, copied ca.1919
Wm. Notman & Son
1918-1920
VIEW-17961
Horses and carts, painting, copied 1920
Wm. Notman & Son Ltd.
1920
VIEW-19707
This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.