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Gelatin silver film negative
Shelling at front, World War I, painting, copied 1920
Photography studio
Wm. Notman & Son Ltd.
(1919-1954)
SignatureNon signé / Unsigned
Date
1920
Medium / Technique
Silver salts on film
Gelatin silver process
Gelatin silver process
Dimensions20 x 25 cm
Origin
Canada
Object NumberVIEW-19489
CollectionMcCord
CreditPurchase, funds graciously donated by Maclean’s magazine, the Maxwell Cummings Family Foundation and Empire-Universal Films Ltd.
Status
Not on viewInformation about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.Information about rights and reproductions is available here.
Barrage balloon and biplane, World War I , painting, copied 1920
Wm. Notman & Son Ltd.
1920
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Soldiers by shelled buildings, World War I, painting, copied 1920
Wm. Notman & Son Ltd.
1920
VIEW-19485
Shelled mill, World War I, painting, copied 1920
Wm. Notman & Son Ltd.
1920
VIEW-19492
Tank, World War I, painting, copied 1920
Wm. Notman & Son Ltd.
1920
VIEW-19491
Red Cross cart, World War I, painting, copied 1920
Wm. Notman & Son Ltd.
1920
VIEW-19488
Soldiers marching past shelled buildings, World War I, painting, copied 1920
Wm. Notman & Son Ltd.
1920
VIEW-19487
Aerial bombing, World War I, painting, copied 1920
Wm. Notman & Son Ltd.
1920
VIEW-19490
Bombing scene, World War I, painting by James Wilson Morrice, copied 1924
Wm. Notman & Son Ltd.
1924
VIEW-23146
Two World War I soldiers on horseback, painting by Léon Galand, 1917, copied ca.1919
Wm. Notman & Son
1918-1920
VIEW-17961
5th Royal Scots group, World War I, about 1915, copied for the Bank of Montreal in 1920
Inconnu / Unknown
Copied in 1920
II-235401.0
Highland soldiers, World War I, copied for the Bank of Montreal in 1920
Inconnu / Unknown
Copied in 1920
II-235400.0
First World War scene, painting by and copied for James Wilson Morrice, 1919-20
Wm. Notman & Son
1919-1920
VIEW-19112
This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.