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Gelatin silver film negative
Soldiers marching past shelled buildings, World War I, painting, copied 1920
Photography studio
Wm. Notman & Son Ltd.
(1919-1954)
SignatureNon signé / Unsigned
Date
1920
Medium / Technique
Silver salts on film
Gelatin silver process
Gelatin silver process
Dimensions19.9 x 24.9 cm
Origin
Canada
Object NumberVIEW-19487
CollectionMcCord
CreditPurchase, funds graciously donated by Maclean’s magazine, the Maxwell Cummings Family Foundation and Empire-Universal Films Ltd.
Status
Not on viewInformation about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.Information about rights and reproductions is available here.
Soldiers by shelled buildings, World War I, painting, copied 1920
Wm. Notman & Son Ltd.
1920
VIEW-19485
Shelled mill, World War I, painting, copied 1920
Wm. Notman & Son Ltd.
1920
VIEW-19492
Two World War I soldiers on horseback, painting by Léon Galand, 1917, copied ca.1919
Wm. Notman & Son
1918-1920
VIEW-17961
Highland soldiers, World War I, copied for the Bank of Montreal in 1920
Inconnu / Unknown
Copied in 1920
II-235400.0
Barrage balloon and biplane, World War I , painting, copied 1920
Wm. Notman & Son Ltd.
1920
VIEW-19486
Tank, World War I, painting, copied 1920
Wm. Notman & Son Ltd.
1920
VIEW-19491
Red Cross cart, World War I, painting, copied 1920
Wm. Notman & Son Ltd.
1920
VIEW-19488
Aerial bombing, World War I, painting, copied 1920
Wm. Notman & Son Ltd.
1920
VIEW-19490
Shelling at front, World War I, painting, copied 1920
Wm. Notman & Son Ltd.
1920
VIEW-19489
World War I soldiers, copied for Mrs. D. G. Campbell in 1918
Inconnu / Unknown
Copied in 1918
II-225942.0
World War I soldiers and trench, about 1915, copied for Rev. Dr. Symond in 1919
Inconnu / Unknown
Copied in 1919
II-230538.0
Soldiers in doorway of barracks, Military camp during World War I, England, ca. 1916
Harry Sutcliffe
About 1916
M2011.64.2.1.199
This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.