Skip to main contentAlbumen print - The Onondaga chief Isaac Hill Kaweneseronton of the Six Nations Confederacy, Montreal, QC, 1870 | McCord Museum Online Collections | McCord Museum - Montreal Social History Museum
Albumen print
The Onondaga chief Isaac Hill Kaweneseronton of the Six Nations Confederacy, Montreal, QC, 1870
Photography studio
William Notman Studio
(1863-1877)
SignatureNon signé / Unsigned
Date
1870
Medium / Technique
Silver salts on paper mounted on paper
Albumen process
Albumen process
Dimensions8.5 x 5.6 cm
Origin
Montreal, Quebec, Canada
Object NumberI-48876.1
CollectionMcCord
CreditPurchase, funds graciously donated by Maclean’s magazine, the Maxwell Cummings Family Foundation and Empire-Universal Films Ltd.
Status
Not on viewInformation about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.Information about rights and reproductions is available here.
The Onondaga chief Isaac Hill Kaweneseronton of the Six Nations Confederacy with a wampum in his hand and another around his neck, Montreal, QC, 1870
William Notman
1870
I-48873.1
The Onondaga chief Isaac Hill Kaweneseronton of the Six Nations Confederacy with a wampum in his hand and another around his neck, Montreal, QC, 1870
William Notman
1870
I-48874.1
The Onondaga chief Isaac Hill Kaweneseronton of the Six Nations Confederacy with a wampum in his hand and another around his neck, Montreal, QC, 1870
William Notman
1870
I-48877.1
The Onondaga chief Isaac Hill Kaweneseronton of the Six Nations Confederacy with a wampum in his hand and another around his neck, Montreal, QC, 1870
William Notman
1870
I-48873
League of Nations Club, Montreal, QC, 1927
Wm. Notman & Son Ltd.
1927/03/11
II-276888
Sculptures of allegorical First Nations women, by Philippe Hébert, 1940-42
Wm. Notman & Son Ltd.
1942
VIEW-26269.2
Sculptures of allegorical First Nations women, by Philippe Hébert, 1942
Wm. Notman & Son Ltd.
1942
VIEW-26269
This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.