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Gelatin silver film negative
Sculptures of allegorical First Nations women, by Philippe Hébert, 1942
Photography studio
Wm. Notman & Son Ltd.
(1919-1954)
SignatureNon signé / Unsigned
Date
1942
Medium / Technique
Silver salts on film
Gelatin silver process
Gelatin silver process
Dimensions25.1 x 20.1 cm
Origin
Canada
Object NumberVIEW-26269
CollectionMcCord
CreditPurchase, funds graciously donated by Maclean’s magazine, the Maxwell Cummings Family Foundation and Empire-Universal Films Ltd.
Status
Not on viewInformation about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.
Information about rights and reproductions is available here.
Sculptures of allegorical First Nations women, by Philippe Hébert, 1940-42
Wm. Notman & Son Ltd.
1942
VIEW-26269.2
Sculpture of Madeleine de Verchères, by Philippe Hébert, 1942
Wm. Notman & Son Ltd.
1942
VIEW-26272
Sculpture of Madeleine de Verchères, by Philippe Hébert, 1942
Wm. Notman & Son Ltd.
1942
VIEW-26272.2
League of Nations Club, Montreal, QC, 1927
Wm. Notman & Son Ltd.
1927/03/11
II-276888
Frederick S. Stimson in First Nations costume, Calgary, AB, 1893-94
Robert Randolph Bruce
1893-1894
MP-0000.583.55
Notre Dame Street, Montreal, QC, painting by Adrien Hébert, copied for Watson Art Gallery 1936
Wm. Notman & Son Ltd.
1936
VIEW-25966
New triplex, Louis Hébert avenue, Montreal, QC, 1925
Wm. Notman & Son Ltd.
1925
VIEW-23308
Bungalow, 5974 Louis-Hébert Ave., Rosemont, Montreal, QC, 1925
Wm. Notman & Son Ltd.
1925
VIEW-23305
Miss Hebert and bridesmaid, Montreal, QC, 1920
Wm. Notman & Son Ltd.
1920
II-238145
Antique sculpture of the Christ, 1930
Wm. Notman & Son Ltd.
1930
VIEW-24775
Booted man with sword, sculpture by and copied for Marc-Aurèle de Foy Suzor-Côté, 1927
Wm. Notman & Son Ltd.
1927
VIEW-24243
Le Portageur, sculpture by Marc-Aurèle de Foy Suzor-Côté, for Scott & Sons, 1928
Wm. Notman & Son Ltd.
1928
VIEW-24321
This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.