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Gelatin silver film negative
New triplex, Louis Hébert avenue, Montreal, QC, 1925
Photography studio
Wm. Notman & Son Ltd.
(1919-1954)
SignatureNon signé / Unsigned
Date
1925
Medium / Technique
Silver salts on film
Gelatin silver process
Gelatin silver process
Dimensions20.3 x 25.4 cm
Origin
Montreal, Quebec, Canada
Object NumberVIEW-23308
CollectionMcCord
CreditPurchase, funds graciously donated by Maclean’s magazine, the Maxwell Cummings Family Foundation and Empire-Universal Films Ltd.
Status
Not on viewInformation about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.Information about rights and reproductions is available here.
Bungalow, 5974 Louis-Hébert Ave., Rosemont, Montreal, QC, 1925
Wm. Notman & Son Ltd.
1925
VIEW-23305
New triplex development, Rosemont, Montreal, QC, 1925
Wm. Notman & Son Ltd.
1925
VIEW-23313
New triplex development, Elsdale Street, Montreal, QC, 1925
Wm. Notman & Son Ltd.
1925
VIEW-23307
New triplex development, Montreal, QC, 1925
Wm. Notman & Son Ltd.
1925
VIEW-23311
Triplex construction, Rosemont, Montreal, QC, 1925
Wm. Notman & Son Ltd.
1925
VIEW-23306
New triplex on Rosemont Boulevard for Walter Molson Co., Montreal, QC, 1924
Wm. Notman & Son Ltd.
1924
VIEW-21120
Notre Dame Street, Montreal, QC, painting by Adrien Hébert, copied for Watson Art Gallery 1936
Wm. Notman & Son Ltd.
1936
VIEW-25966
Miss Hebert and bridesmaid, Montreal, QC, 1920
Wm. Notman & Son Ltd.
1920
II-238145
Sculptures of allegorical First Nations women, by Philippe Hébert, 1942
Wm. Notman & Son Ltd.
1942
VIEW-26269
Sculpture of Madeleine de Verchères, by Philippe Hébert, 1942
Wm. Notman & Son Ltd.
1942
VIEW-26272
Louis' wife and friends skinning geese, Mingan(?), QC, painting by Hind, 1861, photographed in 1950
Wm. Notman & Son Ltd.
1950
II-344555
Edge of Loch Awr, painting by Louis B. Hurt, copied for Scott & Sons 1934-35
Wm. Notman & Son Ltd.
1934-1935
VIEW-25553
This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.