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Cartoon - "Come Into my Parlor". | McCord Museum
Passez donc au salon
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Passez donc au salon

Cartoon

"Come Into my Parlor".
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1961
Medium / Technique Ink and graphite on paper
Dimensions36.8 x 29.0 cm
Origin Canada
Object NumberM965.199.9220
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Come Into my Parlor-.
Come Into my Parlor-.
John Collins
About 1951
M965.199.7759
"Step into My Parlor"-.
"Step into My Parlor"-.
John Collins
About 1946
M965.199.91
Come On-A my House.
Come On-A my House.
John Collins
1951
M965.199.7707
"My Boomerang Won't Come Back".
"My Boomerang Won't Come Back".
John Collins
About 1967
M965.199.5809
The deficit will come down. -It's not coming down fast enough for my taste...
The deficit will come down. -It's not coming down fast enough for my taste...
Serge Chapleau
1998
M999.81.219
Then come my sweet girl come away
Then come my sweet girl come away
1880-1910
C271/B1.31
Parlor, Longueuil College, QC, 1911
Parlor, Longueuil College, QC, 1911
Wm. Notman & Son
1911
VIEW-11354
G.T.R. parlor car, Montreal, QC, about 1890
G.T.R. parlor car, Montreal, QC, about 1890
Wm. Notman & Son
About 1890
VIEW-2516
When it Comes to Budget Time Please Be Our Valentine.
When it Comes to Budget Time Please Be Our Valentine.
John Collins
1957/02/14
M965.199.523
"Come Out and Play Ball".
"Come Out and Play Ball".
John Collins
About 1953
M965.199.9464
We Have to Come Down to Earth Some Time.
We Have to Come Down to Earth Some Time.
John Collins
About 1949
M965.199.5953
If He Just Comes Down Off His High Horse.
If He Just Comes Down Off His High Horse.
John Collins
About 1946
M965.199.217

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.