Skip to main content
Collections Menu
Cartoon - Come Into my Parlor-. | McCord Museum
Bienvenue chez nous
View PDF
Bienvenue chez nous

Cartoon

Come Into my Parlor-.
Artist (1917-2007)
SignatureL. l. within image, JOHN COLLINS
Date About 1951
Medium / Technique Ink and graphite on paper
Dimensions36.9 x 29.1 cm
Origin Canada
Object NumberM965.199.7759
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
"Come Into my Parlor".
"Come Into my Parlor".
John Collins
About 1961
M965.199.9220
"Step into My Parlor"-.
"Step into My Parlor"-.
John Collins
About 1946
M965.199.91
Come On-A my House.
Come On-A my House.
John Collins
1951
M965.199.7707
"My Boomerang Won't Come Back".
"My Boomerang Won't Come Back".
John Collins
About 1967
M965.199.5809
When it Comes to Budget Time Please Be Our Valentine.
When it Comes to Budget Time Please Be Our Valentine.
John Collins
1957/02/14
M965.199.523
"Come Out and Play Ball".
"Come Out and Play Ball".
John Collins
About 1953
M965.199.9464
We Have to Come Down to Earth Some Time.
We Have to Come Down to Earth Some Time.
John Collins
About 1949
M965.199.5953
If He Just Comes Down Off His High Horse.
If He Just Comes Down Off His High Horse.
John Collins
About 1946
M965.199.217
The Melancholy Days Are Come-.
The Melancholy Days Are Come-.
John Collins
About 1947
M965.199.10029
The Mountain Comes to Mohammed.
The Mountain Comes to Mohammed.
John Collins
About 1949
M965.199.638
How Much Will Come Out of the Samovar ?.
How Much Will Come Out of the Samovar ?.
John Collins
About 1947
M965.199.238
The Dawn Comes Up Like Thunder-.
The Dawn Comes Up Like Thunder-.
John Collins
About 1949
M965.199.7870

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.