Skip to main content
Collections Menu
Cartoon - "Step into My Parlor"-. | McCord Museum
Que dirais-tu de te joindre à moi?
Que dirais-tu de te joindre à moi?

Cartoon

"Step into My Parlor"-.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1946
Medium / Technique Ink, graphite and opaque white pigment on card
Dimensions36.8 x 29.0 cm
Origin Montreal, Quebec, Canada
Object NumberM965.199.91
CollectionMcCord
CreditGift of John Collins - The Gazette

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Come Into my Parlor-.
Come Into my Parlor-.
John Collins
About 1951
M965.199.7759
"Come Into my Parlor".
"Come Into my Parlor".
John Collins
About 1961
M965.199.9220
The Lone Eagle Tries the Goose-Step.
The Lone Eagle Tries the Goose-Step.
John Collins
About 1939
M965.199.4283
Right on the Door-Step.
Right on the Door-Step.
John Collins
About 1944
M965.199.4651
"Step Right This Way, Sir".
"Step Right This Way, Sir".
John Collins
1940/05/29
M965.199.1806
A Step in the Right Direction.
A Step in the Right Direction.
John Collins
1943/07/26
M965.199.2149
Get Him on His Feet-But Don't Let Him Goose-Step.
Get Him on His Feet-But Don't Let Him Goose-Step.
John Collins
About 1949
M965.199.10001
"Everybody's Out of Step But Me !".
"Everybody's Out of Step But Me !".
John Collins
About 1954
M965.199.7953
New Step in the Moscow Ballet.
New Step in the Moscow Ballet.
John Collins
1953
M965.199.2986
And Nobody Willing to Take a Step backward.
And Nobody Willing to Take a Step backward.
John Collins
About 1953
M965.199.9505
Trying to Get Everybody in Step.
Trying to Get Everybody in Step.
John Collins
About 1959
M965.199.5087
First Step.
First Step.
John Collins
About 1961
M965.199.9042

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.