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Cartoon - Laughing On the Other Side of His Face. | McCord Museum
Rire jaune
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Rire jaune

Cartoon

Laughing On the Other Side of His Face.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1944
Medium / Technique Ink, crayon, graphite and opaque white pigment on card
Dimensions37.8 x 28.2 cm
Origin Canada
Object NumberM965.199.5658
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
The Green Stuff on the Other Side of the Fence.
The Green Stuff on the Other Side of the Fence.
John Collins
About 1966
M965.199.889
Talking Out of Both Sides of His Mouth.
Talking Out of Both Sides of His Mouth.
John Collins
About 1950
M965.199.338
Cutting Off His Nose to Spite His Face.
Cutting Off His Nose to Spite His Face.
John Collins
About 1951
M965.199.7776
Cutting Off His Nose to Spite His Face.
Cutting Off His Nose to Spite His Face.
John Collins
About 1959
M965.199.9083
Looks Different on the Other Side on the Fence.
Looks Different on the Other Side on the Fence.
John Collins
About 1956
M965.199.5394
The Other Side of the Record.
The Other Side of the Record.
John Collins
About 1948
M965.199.3852
His Other Suit.
His Other Suit.
John Collins
1944
M965.199.8614
"You're Not Laughing-".
"You're Not Laughing-".
John Collins
About 1967
M965.199.5909
Laughing on the Outside.
Laughing on the Outside.
John Collins
About 1968
M965.199.6545
On the Other Side of the Wall.
On the Other Side of the Wall.
John Collins
About 1962
M965.199.7030
"I Coulda Died Laughing".
"I Coulda Died Laughing".
John Collins
About 1957
M965.199.6378
Fishing on Each Other's Side of the Boat.
Fishing on Each Other's Side of the Boat.
John Collins
1964
M965.199.805

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.