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Cartoon - An Early Descent Doesn't Seem to Be One of Our Problems. | McCord Museum
Il aimerait bien redescendre
Il aimerait bien redescendre

Cartoon

An Early Descent Doesn't Seem to Be One of Our Problems.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1968
Medium / Technique Ink, graphite and opaque white pigment on card
Dimensions37.0 x 29.2 cm
Origin Canada
Object NumberM965.199.6688
CollectionMcCord
CreditGift of John Collins - The Gazette

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Our Economic DDT Doesn't Seem to Work Either.
Our Economic DDT Doesn't Seem to Work Either.
John Collins
About 1969
M965.199.6889
This One Doesn't Seem to Fit.
This One Doesn't Seem to Fit.
John Collins
About 1963
M965.199.2716
The Smog Doesn't Seem to Lift.
The Smog Doesn't Seem to Lift.
John Collins
About 1950
M965.199.306
Touch Football Doesn't Seem to Be Catching on in Europe.
Touch Football Doesn't Seem to Be Catching on in Europe.
John Collins
About 1963
M965.199.7139
Problems and Reconversion.
Problems and Reconversion.
John Collins
1945
M965.199.4664
Problems of a Paper-Hanger.
Problems of a Paper-Hanger.
John Collins
1940/08/24
M965.199.1872
Problems for the New Year.
Problems for the New Year.
John Collins
1945
M965.199.4774
Withdrawal Problems.
Withdrawal Problems.
John Collins
About 1969
M965.199.8010
Problems of a Travelling Salesman.
Problems of a Travelling Salesman.
John Collins
About 1956
M965.199.1066
A New Decade-Same Old Problems.
A New Decade-Same Old Problems.
John Collins
1960
M965.199.8958
Old Problems Never Die.
Old Problems Never Die.
John Collins
About 1955
M965.199.9108
Problems of a Gettysburg Farmer.
Problems of a Gettysburg Farmer.
John Collins
About 1957
M965.199.6256

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.