Skip to main content
Collections Menu
Cartoon - Problems of a Paper-Hanger. | McCord Museum
Les problèmes d'un colleur d'affiches
Les problèmes d'un colleur d'affiches

Cartoon

Problems of a Paper-Hanger.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date 1940/08/24
Medium / Technique Ink, crayon, graphite and opaque white pigment on card
Dimensions38.4 x 28.5 cm
Origin Montreal, Quebec, Canada
Object NumberM965.199.1872
CollectionMcCord
CreditGift of John Collins - The Gazette

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
From Paper-Hanger to Crepe-Hanger.
From Paper-Hanger to Crepe-Hanger.
John Collins
About 1945
M965.199.4690
A Paper-Hanger Tries White Washing.
A Paper-Hanger Tries White Washing.
John Collins
1938-1939
M965.199.4144
How About a One-Legged Paper Hanger.
How About a One-Legged Paper Hanger.
John Collins
1943/07/29
M965.199.2152
Paper Hanger Still.
Paper Hanger Still.
John Collins
1941/10/28
M965.199.3240
Problems and Reconversion.
Problems and Reconversion.
John Collins
1945
M965.199.4664
Problems for the New Year.
Problems for the New Year.
John Collins
1945
M965.199.4774
That Paper-Hanger Again.
That Paper-Hanger Again.
John Collins
1941/03/22
M965.199.3067
A Paper-Hanger Runs into Difficulties.
A Paper-Hanger Runs into Difficulties.
John Collins
1940/04/24
M965.199.1777
The Paper Hanger.
The Paper Hanger.
John Collins
1944-1945
M965.199.5667
An Early Descent Doesn't Seem to Be One of Our Problems.
An Early Descent Doesn't Seem to Be One of Our Problems.
John Collins
About 1968
M965.199.6688
Withdrawal Problems.
Withdrawal Problems.
John Collins
About 1969
M965.199.8010
Problems of a Travelling Salesman.
Problems of a Travelling Salesman.
John Collins
About 1956
M965.199.1066

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.