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Cartoon - The Way to Look at Things. | McCord Museum
La bonne façon de voir les choses
La bonne façon de voir les choses

Cartoon

The Way to Look at Things.
Artist (1917-2007)
SignatureL. l. within image, JOHN COLLINS
Date 1942/04/25
Medium / Technique Ink, crayon, graphite and opaque white pigment on card
Dimensions37.9 x 28.4 cm
Origin Canada
Object NumberM965.199.3348
CollectionMcCord
CreditGift of John Collins - The Gazette

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Things Look Different Backstage.
Things Look Different Backstage.
John Collins
About 1952
M965.199.5518
Not the Way to Clear Things Up.
Not the Way to Clear Things Up.
John Collins
About 1957
M965.199.8511
"Things Look So Normal Here".
"Things Look So Normal Here".
John Collins
1963
M965.199.7289
Making Things Shipshape Again.
Making Things Shipshape Again.
John Collins
About 1939
M965.199.4078
The Shadow of Things to Come.
The Shadow of Things to Come.
John Collins
About 1939
M965.199.4133
There's Always Something to Spoil Things.
There's Always Something to Spoil Things.
John Collins
About 1966
M965.199.865
How Well You Put Things, Lester.
How Well You Put Things, Lester.
John Collins
About 1965
M965.199.1475
I discovered a new way to handle things...
I discovered a new way to handle things...
Normand Hudon
1960
M997.63.423
Things Aren't So One-Sided Any More.
Things Aren't So One-Sided Any More.
John Collins
About 1949
M965.199.7971
"These Things Aren't Foolproof".
"These Things Aren't Foolproof".
John Collins
About 1961
M965.199.9730
Trying to Warm Things Up a Bit.
Trying to Warm Things Up a Bit.
John Collins
About 1960
M965.199.8955
Shape of Things to Come ?.
Shape of Things to Come ?.
John Collins
About 1954
M965.199.7545

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.