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Cartoon - Not Making Things any Easier. | McCord Museum
Comment compliquer les choses
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Comment compliquer les choses

Cartoon

Not Making Things any Easier.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1946
Medium / Technique Ink, graphite on Cardboard
Dimensions37.4 x 29.4 cm
Origin Montreal, Quebec, Canada
Object NumberM965.199.117
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Things Aren't So One-Sided Any More.
Things Aren't So One-Sided Any More.
John Collins
About 1949
M965.199.7971
Making Things Shipshape Again.
Making Things Shipshape Again.
John Collins
About 1939
M965.199.4078
Doesn't Make the Job any Easier.
Doesn't Make the Job any Easier.
John Collins
About 1964
M965.199.2656
These Things Have a Habit of Growing.
These Things Have a Habit of Growing.
John Collins
About 1965
M965.199.963
Shape of Things to Come.
Shape of Things to Come.
John Collins
1945
M965.199.4499
"I'm Using the Hose-Why Don't Things Cool Down ?".
"I'm Using the Hose-Why Don't Things Cool Down ?".
John Collins
About 1967
M965.199.5897
Shape of Things to Come.
Shape of Things to Come.
John Collins
1943/01/28
M965.199.2006
Shape of Things to Come.
Shape of Things to Come.
John Collins
About 1966
M965.199.749
Shape of Things to Come.
Shape of Things to Come.
John Collins
1944/02/10
M965.199.2302
How Well You Put Things, Nikita !.
How Well You Put Things, Nikita !.
John Collins
About 1959
M965.199.5022
Things Look Different Backstage.
Things Look Different Backstage.
John Collins
About 1952
M965.199.5518
Things Will Be Different in the Second Half.
Things Will Be Different in the Second Half.
John Collins
1958
M965.199.6253

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.