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Cartoon - She Always Had a Weakness for a Mustache. | McCord Museum
Elle a toujours eu un faible pour les moustachus
Elle a toujours eu un faible pour les moustachus

Cartoon

She Always Had a Weakness for a Mustache.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1946
Medium / Technique Ink, graphite on Cardboard
Dimensions36.7 x 29.1 cm
Origin Montreal, Quebec, Canada
Object NumberM965.199.111
CollectionMcCord
CreditGift of John Collins - The Gazette

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
The Postman Always Rings Twice.
The Postman Always Rings Twice.
John Collins
About 1954
M965.199.7958
Always Forgets to Raise the Anchor.
Always Forgets to Raise the Anchor.
John Collins
About 1952
M965.199.5454
Always Beat Us to the Drew.
Always Beat Us to the Drew.
John Collins
About 1958
M965.199.6168
Always Has His Hook in Troubled Waters.
Always Has His Hook in Troubled Waters.
John Collins
About 1951
M965.199.7855
There's Always Something to Take the Joy Out of Life.
There's Always Something to Take the Joy Out of Life.
John Collins
1966
M965.199.777
Always the Goat.
Always the Goat.
John Collins
About 1956
M965.199.1017
Always a String Attached.
Always a String Attached.
John Collins
About 1953
M965.199.9473
Where It Always Ends.
Where It Always Ends.
John Collins
About 1948
M965.199.8209
Always a Bridesmaid-.
Always a Bridesmaid-.
John Collins
About 1948
M965.199.8240
Always Leaves His Packing until the Last Minute.
Always Leaves His Packing until the Last Minute.
John Collins
About 1948
M965.199.8231
It Always Ends Up with the Water-Boy.
It Always Ends Up with the Water-Boy.
John Collins
About 1967
M965.199.9649
Always Two Sides.
Always Two Sides.
John Collins
About 1938
M965.199.4100

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.