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Cartoon - Nose to the Grindstone. | McCord Museum
Avoir le nez sur son travail
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Avoir le nez sur son travail

Cartoon

Nose to the Grindstone.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1949
Medium / Technique Ink and graphite on paper
Dimensions36.8 x 29.2 cm
Origin Canada
Object NumberM965.199.10056
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Nose to the Grindstone.
Nose to the Grindstone.
John Collins
About 1960
M965.199.3988
Trying to Keep His Nose to the Grindstone.
Trying to Keep His Nose to the Grindstone.
John Collins
About 1947
M965.199.8327
Cutting Off His Nose to Spite His Face.
Cutting Off His Nose to Spite His Face.
John Collins
About 1951
M965.199.7776
Following His Nose.
Following His Nose.
John Collins
1956
M965.199.8696
Cutting Off His Nose to Spite His Face.
Cutting Off His Nose to Spite His Face.
John Collins
About 1959
M965.199.9083
"Keep Your Nose Out of Our Affairs".
"Keep Your Nose Out of Our Affairs".
John Collins
About 1961
M965.199.9012
Right Under His Nose.
Right Under His Nose.
John Collins
About 1956
M965.199.8721
"Just Keep Your Nose Out of our Affairs".
"Just Keep Your Nose Out of our Affairs".
John Collins
1961
M965.199.7409
The Bear's Nose.
The Bear's Nose.
John Collins
About 1967
M965.199.6496
Right Under His Nose
Right Under His Nose
John Collins
About 1944
M965.199.4597
Bringing it Richt Under Is Nose.
Bringing it Richt Under Is Nose.
John Collins
1940/05/14
M965.199.1793
Grindstones, Williams & Wilson Machinery Supplies, Montreal, QC, 1919-20
Grindstones, Williams & Wilson Machinery Supplies, Montreal, QC, 1919-20
Wm. Notman & Son
1919-1920
VIEW-18315

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.