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Photoengraving - The Sick Candidate | McCord Museum
Le candidat malade
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Le candidat malade

Photoengraving

The Sick Candidate
SignatureNon signé / Unsigned
Date 1886
Medium / Technique Ink on paper
Photomechanical printing
Dimensions25.3 x 31.5 cm
Origin Canada
Object NumberM994X.5.273.29
CollectionMcCord
CreditGift of Dr. Raymond Boyer
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Mr. Bowes and his Petticoated Friend Introduce their Candidate to the People
Mr. Bowes and his Petticoated Friend Introduce their Candidate to the People
Anonymous
1886
M994X.5.273.27
"The "Blue Glass" Cure for the Sick Child
"The "Blue Glass" Cure for the Sick Child
John Wilson Bengough
1886
M994X.5.273.159
Misplaced Confidence.
Misplaced Confidence.
Anonymous
1889/02/09
M20485.9.11
From Scylla to Charybdis.
From Scylla to Charybdis.
Anonymous
1889/02/09
M20485.9.12
"The Wooing of Hiawatha".
"The Wooing of Hiawatha".
Anonymous
1888/07/28
M20485.4.1
The Eagle and the Fawn
The Eagle and the Fawn
Anonymous
1886
M994X.5.273.16
The Government Thimblerig
The Government Thimblerig
Anonymous
1886
M994X.5.273.14
The Way Brother Jonathan Will Astonish the Natives. Annexation Comes in by the Rail, while Liberty flies off in the Smoke
The Way Brother Jonathan Will Astonish the Natives. Annexation Comes in by the Rail, while Liberty flies off in the Smoke
Anonymous
1886
M994X.5.273.13
The Trappers
The Trappers
Anonymous
1886
M994X.5.273.20
The Pudding and the Wasp
The Pudding and the Wasp
Anonymous
1886
M994X.5.273.19
Clown Loquiter Here We Go, and Here We Are
Clown Loquiter Here We Go, and Here We Are
Anonymous
1886
M994X.5.273.18
Two Years after Annexation
Two Years after Annexation
Anonymous
1886
M994X.5.273.17

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.