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Photoengraving - Riding Into Power | McCord Museum
L'arrivée au pouvoir
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L'arrivée au pouvoir

Photoengraving

Riding Into Power
Artist (1851-1923)
SignatureL. r. below image, Bengough
Date 1886
Medium / Technique Ink on paper
Photomechanical printing
Dimensions31.5 x 25.3 cm
Origin Canada
Object NumberM994X.5.273.201
CollectionMcCord
CreditGift of Dr. Raymond Boyer
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

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Online Collections | McCord Museum - Montreal Social History Museum
The Opposition Quartette. Performing the New and Highly Aggravating Air Entitled "Public Accounts"
The Opposition Quartette. Performing the New and Highly Aggravating Air Entitled "Public Accounts"
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M994X.5.273.97
A Question for Pay Day; or, "Central Prison" Logic Applied
A Question for Pay Day; or, "Central Prison" Logic Applied
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M994X.5.273.98
The New Departure
The New Departure
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M994X.5.273.95
The Curse of Canada. Is there No Arm to Save ?
The Curse of Canada. Is there No Arm to Save ?
John Wilson Bengough
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M994X.5.273.96
"Christmas Pie"
"Christmas Pie"
John Wilson Bengough
1886
M994X.5.273.90
"The Political Giant-Killer; or, "Canada First"
"The Political Giant-Killer; or, "Canada First"
John Wilson Bengough
1886
M994X.5.273.88
The West Toronto Run
The West Toronto Run
John Wilson Bengough
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M994X.5.273.89
Political Pastimes
Political Pastimes
John Wilson Bengough
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M994X.5.273.93
Pity the Dominie; or, Johnny's Return
Pity the Dominie; or, Johnny's Return
John Wilson Bengough
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M994X.5.273.94
Johnny's "Turn", or New Year's Joy
Johnny's "Turn", or New Year's Joy
John Wilson Bengough
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M994X.5.273.91
The Cruel Object of "Dissolution"
The Cruel Object of "Dissolution"
John Wilson Bengough
1886
M994X.5.273.92
The Irrepressible Jack: or, The Conservative Resuscitation
The Irrepressible Jack: or, The Conservative Resuscitation
John Wilson Bengough
1886
M994X.5.273.86

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.