Skip to main contentGelatin silver print - Ralph Parsons, Cape Wolstenholme, Quebec, 1920 | McCord Museum Online Collections | McCord Museum - Montreal Social History Museum
Gelatin silver print
Ralph Parsons, Cape Wolstenholme, Quebec, 1920
Photographer
Robert L. Ridley
SignatureNon signé / Unsigned
Date
1920
Medium / Technique
Silver salts on paper
Gelatin silver process
Gelatin silver process
Dimensions14.8 × 9.8 cm
Origin
Canada
Object NumberM2013.36.2.1.320
CreditGift of Mrs. Justine Sentenne
Status
Not on viewInformation about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.Information about rights and reproductions is available here.
Ralph Parsons, Cape Wolstenholme, Quebec, 1920
Robert L. Ridley
1920
M2013.36.2.493
Charles Colebrook and Ralph Parsons with a group of unidentified men, 1920
Robert L. Ridley
1920
M2013.36.2.231
Cape on the east side of Eric Cove, Cape Wolstenholme, Quebec, 1920
Robert L. Ridley
1920
M2013.36.2.2.41
Cape on the east side of Eric Cove, Cape Wolstenholme, Quebec, 1920
Robert L. Ridley
1920
M2013.36.2.1.307
Cape on the east side of Eric Cove, Cape Wolstenholme, Quebec, 1920
Robert L. Ridley
1920
M2013.36.2.358
Cape Wolstenholme, Hudson Strait, Quebec, 1920
Robert L. Ridley
1920
M2013.36.2.1.238
Cape Wolstenholme, Hudson Strait, Quebec, 1920
Robert L. Ridley
1920
M2013.36.2.1.237
Landing goods at Cape Wolstenholme, Quebec, 1920
Robert L. Ridley
1920
M2013.36.2.1.304
View showing the Hudson’s Bay buildings on the extreme left, Cape Wolstenholme, Quebec, 1920
Robert L. Ridley
1920
M2013.36.2.1.302
View from our building across to the Hudson’s Bay buildings, Cape Wolstenholme, Quebec, 1920
Robert L. Ridley
1920
M2013.36.2.1.303
View showing the Hudson’s Bay buildings on the extreme left, Cape Wolstenholme, Quebec, 1920
Robert L. Ridley
1920
M2013.36.2.2.40
Landing goods at Cape Wolstenholme, Quebec, 1920
Robert L. Ridley
1920
M2013.36.2.2.42
This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.