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Albumen print
Third Saint-Paul Market, Quebec City, Quebec, 1862-1871
Photography studio
Smeaton's Photographic Gallery
(1862 - 1871)
SignatureNon signé / Unsigned
Date
1862-1871
Medium / Technique
Silver salts on paper mounted on paper and card
Albumen process
Albumen process
Dimensions9.7 × 12.6 cm
Origin
Quebec, Quebec, Canada, North America
Object NumberM2019.7.2.2.232
CreditGift of W. James Smeaton
Status
Not on viewInformation about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.Information about rights and reproductions is available here.
Third Saint-Paul Market, Quebec City, Quebec, 1862-1871
Smeaton's Photographic Gallery
1862-1871
M2019.7.2.83
Aerial view of Saint-Jean Street, Quebec City, Quebec, 1862-1871
Smeaton's Photographic Gallery
1862-1871
M2019.7.2.2.227
Second Saint-Jean Gate, Quebec City, Quebec, 1862-1867
Smeaton's Photographic Gallery
1862-1867
M2019.7.2.2.231
View of the Saint-Roch neighbourhood, Quebec City, Quebec, 1862-1866
Smeaton's Photographic Gallery
1862-1866
M2019.7.2.2.279
Lorette Falls, near Quebec City, Quebec, 1862-1871
Smeaton's Photographic Gallery
1862-1871
M2019.7.2.2.243
View of Quebec City’s fortifications, Quebec, 1862-1871
Smeaton's Photographic Gallery
1862-1871
M2019.7.2.2.224
General James Wolfe monument, Quebec City, Quebec, 1862-1871
Smeaton's Photographic Gallery
1862-1871
M2019.7.2.2.223
Jacquet house, Quebec City, Quebec, 1862-1871
Smeaton's Photographic Gallery
1862-1871
M2019.7.2.2.229
Hope Gate, Quebec City, Quebec, 1862-1871
Smeaton's Photographic Gallery
1862-1871
M2019.7.2.2.230
View of Quebec City from Lévis, Quebec, 1862-1871
Smeaton's Photographic Gallery
1862-1871
M2019.7.2.2.228
Wesleyan Methodist Church, Quebec City, Quebec, 1862-1871
Smeaton's Photographic Gallery
1862-1871
M2019.7.2.2.226
View of the Quebec City prison, Quebec, 1862-1871
Smeaton's Photographic Gallery
1862-1871
M2019.7.2.2.235
This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.