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Tear sheet
Eaton's presents a new concept of shape the fluid line
Draughtsman
Eugenie Groh
(1919 - 2017)
SignatureNon signé / Unsigned
InscriptionsOn front, printed on newsprint paper, u.r.: THE GAZETTE, MONDAY, SEPTEMBER 8, 1958 / 5; on front, printed on newsprint paper, u.c.: EATON'S / presents / a new concept / of shape / the fluid / line; on front, printed on newsprint paper, l.l.: Lithe, young and mobile...it is a sublte shaping with / becoming ways.; on front, printed on newsprint paper, l.r.: [...] fashion impact of mosaic colour lends vitality to new fabircs and / silhouettes.; on front, printed on newsprint paper, b.: [...] FALL'S NEW CONCEPT OF SHAPE DRAMATICALLY ILLUSTRATED IN EATON'S ST. CATHERINE STREET WINDOW, ON THE THIRD FLOOR FASHION [...]; on front, printed on newsprint paper, l.r.: THE / T. EATON C° / OF MONTREAL / LIMITED; on back, printed on newsprint paper: [...]
Period
Milieu 20e siècle
Dimensions56 × 37.6 cm
Origin
Montreal, Quebec, Canada
Object NumberM2017.114.32
DivisionDocumentary Art
CreditGift of Catherine and John Tyhurst
Status
Not on viewInformation about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.Information about rights and reproductions is available here.
Eaton's presents a new concept of shape the fluid line ... in suits
Eugenie Groh
1958
M2017.114.31
Eaton's presents a new concept of shape the fluid line ... in dresses
Eugenie Groh
1958
M2017.114.34
Eaton's Salon Français Presents New Trans-Season Drama Starring Black Velvet
Eugenie Groh
1960
M2017.114.45
Spring's Fluid Line with Flair ... Raison d'Etre for Colour Spinning
Eugenie Groh
1961
M2017.118.321.1
The New Spring Knittings Now at Eaton's Downtown and Fairview
Eugenie Groh
1966
M2017.118.387
Eaton's Captures the New Brilliance of Spring with Crystal Colours
Eugenie Groh
1959
M2017.114.37
Red Carpet Presents: "There's no Business like 'Snow' Business !"
Eugenie Groh
1974
M2017.118.432
This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.