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Gelatin silver print - Harry Houdini, wrapped in chains, prepares to plunge into water, about 1911 | McCord Museum
Harry Houdini, wrapped in chains, prepares to plunge into water, about 1911
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Harry Houdini, wrapped in chains, prepares to plunge into water, about 1911

Gelatin silver print

Harry Houdini, wrapped in chains, prepares to plunge into water, about 1911
SignatureNon signé / Unsigned
Period 20e siècle
Medium / Technique Silver salts on paper
Gelatin silver process
Dimensions16,4 × 21,5 cm
Object NumberM2014.128.702.148
CollectionMcCord
CreditPurchase, funds graciously donated by La Fondation Emmanuelle Gattuso
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

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Online Collections | McCord Museum - Montreal Social History Museum
Harry Houdini, wrapped in chains, prepares to plunge into water, Providence, RI, 1911
Harry Houdini, wrapped in chains, prepares to plunge into water, Providence, RI, 1911
Inconnu / Unknown
M2014.128.702.149
Harry Houdini in chains performance, about 1899
Harry Houdini in chains performance, about 1899
Inconnu / Unknown
M2014.128.702.139
Harry Houdini seated and bound up in chains, about 1920
Harry Houdini seated and bound up in chains, about 1920
Inconnu / Unknown
About 1920
M2014.128.703.40
Portrait of Harry Houdini standing, in chains
Portrait of Harry Houdini standing, in chains
Inconnu / Unknown
M2014.128.702.44
Portrait of Harry Houdini in Weed Chains, New York, before 1908
Portrait of Harry Houdini in Weed Chains, New York, before 1908
White Studio
about 1908
M2014.128.640
"Nash" touring car with chains, about 1925
"Nash" touring car with chains, about 1925
Inconnu / Unknown
About 1925
MP-0000.587.46
Houdini leaves locks and chains of witch's chair
Houdini leaves locks and chains of witch's chair
1900-1926
M2014.128.702.77
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1976
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1992
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1981
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Serge Chapleau
1994/06/03
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2001
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This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.