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Cartoon - Trying to Steal the Show. | McCord Museum
Tentative pour voler la vedette
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Tentative pour voler la vedette

Cartoon

Trying to Steal the Show.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1954
Medium / Technique Ink, graphite and opaque white pigment on paper
Dimensions36.8 x 29.3 cm
Origin Canada
Object NumberM965.199.9928
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Ready to Steal His Clothes.
Ready to Steal His Clothes.
John Collins
1956
M965.199.1251
Garon Steals the Show Again
Garon Steals the Show Again
Serge Chapleau
1985
m996.10.286
Trying to Fish Both Sides of the Boat.
Trying to Fish Both Sides of the Boat.
John Collins
About 1956
M965.199.1021
Trying to Keep Both Going at Once.
Trying to Keep Both Going at Once.
John Collins
About 1951
M965.199.7793
Trying to Bring Him Down Off His High Horse.
Trying to Bring Him Down Off His High Horse.
John Collins
1956
M965.199.1033
After all those Years of Trying.
After all those Years of Trying.
John Collins
1960
M965.199.3987
Still Trying to Get a Fourth for Bridge.
Still Trying to Get a Fourth for Bridge.
John Collins
About 1953
M965.199.9495
Trying to Teach Half a Dog New Tricks.
Trying to Teach Half a Dog New Tricks.
John Collins
About 1948
M965.199.8232
Trying to Regain Lost Yards.
Trying to Regain Lost Yards.
John Collins
About 1960
M965.199.8907
Trying to Catch Up With His Shadow.
Trying to Catch Up With His Shadow.
John Collins
About 1960
M965.199.8928
Trying to Warm Things Up a Bit.
Trying to Warm Things Up a Bit.
John Collins
About 1960
M965.199.8955
Trying the Back Door.
Trying the Back Door.
John Collins
About 1949
M965.199.7633

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.