Skip to main contentGelatin silver print - Florence Sutcliffe with doll in stroller, QC, ca. 1918 | McCord Museum Online Collections | McCord Museum - Montreal Social History Museum
Gelatin silver print
Florence Sutcliffe with doll in stroller, QC, ca. 1918
Photographer
Harry Sutcliffe
(1878 - 1942)
Date
About 1918
Medium / Technique
Silver salts on paper
Gelatin silver process
Gelatin silver process
Dimensions8.4 x 5.3 cm
Origin
Quebec, Canada
Object NumberM2011.64.2.1.165
CollectionMcCord
CreditGift of Peter, Paul, Robert and Carolyn Sutcliffe
Status
Not on viewInformation about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.Information about rights and reproductions is available here.
Miss Florence E. Sutcliffe with stroller and doll, QC, 1918
Harry Sutcliffe
1918
M2011.64.2.1.184
Florence Sutcliffe in wooden swing, holding doll, QC, ca. 1919
Harry Sutcliffe
About 1919
M2011.64.2.1.117
Florence Sutcliffe with doll in toy sleigh, QC, ca. 1919
Harry Sutcliffe
About 1919
M2011.64.2.1.125
Florence Sutcliffe, seated in chair and holding a doll, QC, 1917
Harry Sutcliffe
1917
M2011.64.2.6.52
Florence Sutcliffe at water's edge, QC, ca. 1918
Harry Sutcliffe
About 1918
M2011.64.2.1.253
Florence Sutcliffe(?) holding hen, Trois-Rivières(?), QC, ca. 1918
Harry Sutcliffe
About 1918
M2011.64.2.1.163
Florence Sutcliffe at water's edge, QC, ca. 1918
Harry Sutcliffe
About 1918
M2011.64.2.1.210
Frank and Florence Sutcliffe on porch, QC, 1918
Harry Sutcliffe
1918
M2011.64.2.1.181
Annie Sutcliffe and daughter Florence, Trois-Rivières, QC, 1918-19
Harry Sutcliffe
1918-1919
M2011.64.2.6.51
Florence Sutcliffe on Dufferin Terrace, Quebec City, QC, 1918
Harry Sutcliffe
1918
M2011.64.2.1.5
Florence Sutcliffe and mother Annie (?), Quebec Bridge in background, QC, 1918
Harry Sutcliffe
1918
M2011.64.2.1.9
Florence Sutcliffe with stuffed toys, Trois-Rivières, QC, 1918
Harry Sutcliffe
1918
M2011.64.2.1.114
This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.