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Cartoon - Suggested Star for the First Color Program. | McCord Museum
Une télévision en couleur toujours dans le rouge
Une télévision en couleur toujours dans le rouge

Cartoon

Suggested Star for the First Color Program.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1953
Medium / Technique Ink, graphite and opaque white pigment on paper
Dimensions37.0 x 29.2 cm
Origin Canada
Object NumberM965.199.9494
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

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Online Collections | McCord Museum - Montreal Social History Museum
Underneath the Pretty Colors.
Underneath the Pretty Colors.
John Collins
About 1955
M965.199.9056
In the Fall the Bright Colors Appear.
In the Fall the Bright Colors Appear.
John Collins
1965
M965.199.1437
Guess They're Waiting for Color TV.
Guess They're Waiting for Color TV.
John Collins
About 1965
M965.199.1499
Can't Tell the Players Without a Program.
Can't Tell the Players Without a Program.
John Collins
About 1960
M965.199.3923
Ottawa's Television Program.
Ottawa's Television Program.
John Collins
1952
M965.199.6133
Two Russian Satellite Programs.
Two Russian Satellite Programs.
John Collins
1957
M965.199.5632
What's Canadian about this Program ?.
What's Canadian about this Program ?.
John Collins
About 1952
M965.199.5547
"We Have a Winter Works Program Too".
"We Have a Winter Works Program Too".
John Collins
About 1960
M965.199.8873
You Can't Tell 'Em Without a Program.
You Can't Tell 'Em Without a Program.
John Collins
About 1955
M965.199.5256
Known in Some Circles as an Open-End Program.
Known in Some Circles as an Open-End Program.
John Collins
About 1968
M965.199.6716
Our Own Gemini Program.
Our Own Gemini Program.
John Collins
About 1965
M965.199.1470
Color TV.
Color TV.
John Collins
1956
M965.199.1012

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.