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Cartoon - While Studying the Higher Altitudes. | McCord Museum
Le coût de la vie est sûrement quelque part là-haut
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Le coût de la vie est sûrement quelque part là-haut

Cartoon

While Studying the Higher Altitudes.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1953
Medium / Technique Ink, graphite and opaque white pigment on paper
Dimensions36.8 x 29.2 cm
Origin Canada
Object NumberM965.199.9479
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Higher and still higher
Higher and still higher
John Collins
About 1953
M965.199.1234
High Altitude Bombing.
High Altitude Bombing.
John Collins
About 1950
M965.199.9151
The Higher You Go the Harder it is to Come Down to Earth.
The Higher You Go the Harder it is to Come Down to Earth.
John Collins
1963
M965.199.7110
Studying the Washington New Look.
Studying the Washington New Look.
John Collins
About 1953
M965.199.9450
Studying the Changing Wind.
Studying the Changing Wind.
John Collins
About 1953
M965.199.9466
Studying the International Style Situation.
Studying the International Style Situation.
John Collins
About 1953
M965.199.9493
Studying the Barometers.
Studying the Barometers.
John Collins
About 1954
M965.199.9914
Studying the New Moscow Thermometer.
Studying the New Moscow Thermometer.
John Collins
About 1953
M965.199.9944
Studying the 1960 Models.
Studying the 1960 Models.
John Collins
1960
M965.199.3977
Studying Conditions at the Summit.
Studying Conditions at the Summit.
John Collins
About 1955
M965.199.2490
Studying the Wreckage.
Studying the Wreckage.
John Collins
1953
M965.199.7372
Studying the Hieroglyphics.
Studying the Hieroglyphics.
John Collins
About 1953
M965.199.584

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.