Skip to main content
Collections Menu
Cartoon - They Stand on Guard for Thee. | McCord Museum
Ils protègent nos foyers et nos droits
Ils protègent nos foyers et nos droits

Cartoon

They Stand on Guard for Thee.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1948
Medium / Technique Ink, graphite, opaque white, crayon on Paper
Dimensions36.7 x 29.1 cm
Origin Canada
Object NumberM965.199.9421
CollectionMcCord
CreditGift of John Collins - The Gazette

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
"...They Stand on Guard for Thee".
"...They Stand on Guard for Thee".
John Collins
1940/09/02
M965.199.1878
Oh, Canada, Who Stands On Guard for Thee ?.
Oh, Canada, Who Stands On Guard for Thee ?.
John Collins
About 1966
M965.199.896
Dief, On Guard for Thee
Dief, On Guard for Thee
Normand Hudon
1963
M997.63.360
Still Doing Business at the Same Old Stand.
Still Doing Business at the Same Old Stand.
John Collins
About 1945
M965.199.4723
The Boy Stand on the Burning Deck.
The Boy Stand on the Burning Deck.
John Collins
1941/02/03
M965.199.3028
"Get Thee Behing Me"-.
"Get Thee Behing Me"-.
John Collins
About 1969
M965.199.6878
Guard Duty.
Guard Duty.
John Collins
About 1939
M965.199.4273
Now We Know What It Stands For.
Now We Know What It Stands For.
John Collins
About 1949
M965.199.8396
Should Be a Good Spot for a News Stand.
Should Be a Good Spot for a News Stand.
John Collins
About 1951
M965.199.7735
Fight in the Stands.
Fight in the Stands.
John Collins
1964
M965.199.2774
Not Exactly the Way to Take a Strong Stand.
Not Exactly the Way to Take a Strong Stand.
John Collins
About 1956
M965.199.8669
Army stands guard in Huntington
Army stands guard in Huntington
Serge Chapleau
2004
M2005.166.110

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.