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Cartoon - "But Get Me to the Church on Time". | McCord Museum
Il risque d'arriver en retard
Il risque d'arriver en retard

Cartoon

"But Get Me to the Church on Time".
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1961
Medium / Technique Ink and graphite on paper
Dimensions36.5 x 29.1 cm
Origin Canada
Object NumberM965.199.8981
CollectionMcCord
CreditGift of John Collins - The Gazette

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
"Get Thee Behing Me"-.
"Get Thee Behing Me"-.
John Collins
About 1969
M965.199.6878
"He Ran Over Me Last Time".
"He Ran Over Me Last Time".
John Collins
About 1967
M965.199.5843
The Lure that Gets them Every Time.
The Lure that Gets them Every Time.
John Collins
About 1958
M965.199.6356
Doesn't Look Like Much By the Time We Get It Home.
Doesn't Look Like Much By the Time We Get It Home.
John Collins
About 1957
M965.199.5602
Time to Get Rid of the Sport Shirt.
Time to Get Rid of the Sport Shirt.
John Collins
1950
M965.199.303
"Every Time I Get Him on the Couch He Falls Asleep".
"Every Time I Get Him on the Couch He Falls Asleep".
John Collins
1962
M965.199.3533
That Door Gets Narrower All the Time.
That Door Gets Narrower All the Time.
John Collins
About 1962
M965.199.7047
By the Time You Get it Home.
By the Time You Get it Home.
John Collins
About 1954
M965.199.7495
Time to Get our Countries Moving Again.
Time to Get our Countries Moving Again.
John Collins
About 1963
M965.199.7091
"Course Gets More Difficult All the Time".
"Course Gets More Difficult All the Time".
John Collins
1963
M965.199.7288
"Loves Me-Loves Me Not-Loves Me ?.
"Loves Me-Loves Me Not-Loves Me ?.
John Collins
1958
M965.199.6186
Loves Me-Loves Me Not.
Loves Me-Loves Me Not.
John Collins
About 1950
M965.199.5299

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.