Skip to main content
Collections Menu
Cartoon - A What the Dickens Christmas Carol. | McCord Museum
Un conte de Noël à la Dickens
Un conte de Noël à la Dickens

Cartoon

A What the Dickens Christmas Carol.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1954
Medium / Technique Ink, graphite and opaque white pigment on paper
Dimensions36.8 x 29.3 cm
Origin Canada
Object NumberM965.199.7947
CollectionMcCord
CreditGift of John Collins - The Gazette

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Pre-Christmas Carol.
Pre-Christmas Carol.
John Collins
About 1947
M965.199.10031
The After Christmas Carol.
The After Christmas Carol.
John Collins
1945
M965.199.406
At last, a politically correct Christmas carol!  
At last, a politically correct Christmas carol!  
Garnotte
2002
M2009.50.210
My Christmas List.
My Christmas List.
John Collins
About 1954
M965.199.7951
Merry Christmas to Every Gazette Reader.
Merry Christmas to Every Gazette Reader.
John Collins
About 1954
M965.199.7949
Christmas Gift I'd Like to Send.
Christmas Gift I'd Like to Send.
John Collins
About 1956
M965.199.477
Doing His Christmas Shoplifting Early.
Doing His Christmas Shoplifting Early.
John Collins
About 1949
M965.199.8370
Christmas Shopping in Ottawa.
Christmas Shopping in Ottawa.
John Collins
About 1946
M965.199.2906
Dreaming of a White Christmas.
Dreaming of a White Christmas.
John Collins
About 1946
M965.199.2903
A Merry Christmas to Every Gazette Reader.
A Merry Christmas to Every Gazette Reader.
John Collins
About 1956
M965.199.474
Little Christmas.
Little Christmas.
John Collins
About 1954
M965.199.7924
A Few Christmas Gifts I'd Like to Send.
A Few Christmas Gifts I'd Like to Send.
John Collins
About 1953
M965.199.9546

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.