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Cartoon - No Matter How You Cut It. | McCord Museum
Quelle que soit la façon dont vous le découpiez, ça donne toujours la même chose
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Quelle que soit la façon dont vous le découpiez, ça donne toujours la même chose

Cartoon

No Matter How You Cut It.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1968
Medium / Technique Ink, graphite on Cardboard
Dimensions36.8 x 29.3 cm
Origin Canada
Object NumberM965.199.6980
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
No Matter How You Spell It.
No Matter How You Spell It.
John Collins
About 1959
M965.199.5016
No Matter How You Slice It.
No Matter How You Slice It.
John Collins
About 1952
M965.199.5539
No Matter How You Slice It.
No Matter How You Slice It.
John Collins
About 1944
M965.199.4734
No Matter How You Spell It.
No Matter How You Spell It.
John Collins
About 1953
M965.199.6060
No Matter How You Slice It.
No Matter How You Slice It.
John Collins
About 1951
M965.199.7803
No Matter How You Look at It 
No Matter How You Look at It 
Georgine Strathy
1964
M2017.118.456
"How Can You Say that You Don't Believe in Santa Claus.
"How Can You Say that You Don't Believe in Santa Claus.
John Collins
About 1956
M965.199.466
How Do You Let Go ?.
How Do You Let Go ?.
John Collins
1965
M965.199.1539
How Well You Put Things, Nikita !.
How Well You Put Things, Nikita !.
John Collins
About 1959
M965.199.5022
"How Do You Build a Golf Course ?".
"How Do You Build a Golf Course ?".
John Collins
About 1959
M965.199.5030
How Are You Fixed for Blades ?.
How Are You Fixed for Blades ?.
John Collins
About 1959
M965.199.9085
How Trimmed Can You Get ?.
How Trimmed Can You Get ?.
John Collins
1952
M965.199.8562

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.