Skip to main content
Collections Menu
Cartoon - Point After Touchdown. | McCord Museum
Après le touché, le botté d'envoi
View PDF
Après le touché, le botté d'envoi

Cartoon

Point After Touchdown.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1968
Medium / Technique Ink, graphite, watercolour, opaque white on Cardboard
Dimensions36.7 x 29.6 cm
Origin Canada
Object NumberM965.199.6679
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
From All Points of the Compass.
From All Points of the Compass.
John Collins
1951
M965.199.7780
Depends on Your Point of View.
Depends on Your Point of View.
John Collins
1952-1953
M965.199.8803
Turning Point.
Turning Point.
John Collins
1942/11/11
M965.199.3491
Having Trouble Scoring Points So Far.
Having Trouble Scoring Points So Far.
John Collins
1958
M965.199.6196
Look at it from Our Point of View, Lester.
Look at it from Our Point of View, Lester.
John Collins
About 1966
M965.199.779
After Dinner Speech.
After Dinner Speech.
John Collins
1940/08/12
M965.199.1862
Sometimes the Size of a Tree Can Only Be Measured after It's Down.
Sometimes the Size of a Tree Can Only Be Measured after It's Down.
John Collins
1959
M965.199.5025
'Twas the Week after Christmas.
'Twas the Week after Christmas.
John Collins
About 1949
M965.199.5100
The Day After Christmas.
The Day After Christmas.
John Collins
About 1968
M965.199.6759
After the Brawl is Over.
After the Brawl is Over.
John Collins
1940/03/27
M965.199.1754
After You Take Down the Ornaments.
After You Take Down the Ornaments.
John Collins
About 1957
M965.199.489
Ottawa's Day After Christmas.
Ottawa's Day After Christmas.
John Collins
About 1964
M965.199.1661

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.