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Cartoon - The Mountain Comes to Mohammed. | McCord Museum
La montagne vient à Mahomet
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La montagne vient à Mahomet

Cartoon

The Mountain Comes to Mohammed.
Artist (1917-2007)
SignatureL. l. within image, JOHN COLLINS
Date About 1949
Medium / Technique Ink and graphite on paper
Dimensions36.7 x 29.3 cm
Origin Montreal, Quebec, Canada
Object NumberM965.199.638
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
When the Moon Comes Over the Mountain.
When the Moon Comes Over the Mountain.
John Collins
About 1959
M965.199.8741
When it Comes to Budget Time Please Be Our Valentine.
When it Comes to Budget Time Please Be Our Valentine.
John Collins
1957/02/14
M965.199.523
Their Pet Comes Home.
Their Pet Comes Home.
John Collins
About 1952
M965.199.5558
Which Comes First.
Which Comes First.
John Collins
About 1957
M965.199.510
If Winter Comes Can Spring Be Far Behind.
If Winter Comes Can Spring Be Far Behind.
John Collins
1961
M965.199.3655
March Comes in Like a Bear.
March Comes in Like a Bear.
John Collins
About 1948
M965.199.3575
If He Just Comes Down Off His High Horse.
If He Just Comes Down Off His High Horse.
John Collins
About 1946
M965.199.217
Santa Claus Comes to Town.
Santa Claus Comes to Town.
John Collins
About 1954
M965.199.5366
March Comes in Like a Lion.
March Comes in Like a Lion.
John Collins
About 1960
M965.199.9359
Defence Comes in Two Sizes.
Defence Comes in Two Sizes.
John Collins
About 1958
M965.199.1192
When It Comes to Putting Our Cards.
When It Comes to Putting Our Cards.
John Collins
About 1949
M965.199.9766
A New Look Comes to Czechoslovakia.
A New Look Comes to Czechoslovakia.
John Collins
About 1949
M965.199.8378

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.