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Cartoon - Burying the Hatchet. | McCord Museum
Enterrons la hache de guerre
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Enterrons la hache de guerre

Cartoon

Burying the Hatchet.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1959
Medium / Technique Ink, graphite and opaque white pigment on paper
Dimensions36.9 x 29.1 cm
Origin Canada
Object NumberM965.199.6013
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Algerian Hatchet-Burying Ceremony.
Algerian Hatchet-Burying Ceremony.
John Collins
1962
M965.199.3728
Laura Secord's monument, Lundy's Lane burying ground, Niagara Falls, ON, about 1920
Laura Secord's monument, Lundy's Lane burying ground, Niagara Falls, ON, about 1920
Inconnu / Unknown
About 1920
MP-0000.25.920
Aboriginal burying ground, near Yale, BC, 1887
Aboriginal burying ground, near Yale, BC, 1887
William McFarlane Notman
before 1935
VIEW-1774.2
Military burying ground, Papineau Road, Montreal, QC, about 1895
Wm. Notman & Son
About 1895
VIEW-3017
Aboriginal burying ground, near Yale, BC, 1887
William McFarlane Notman
1887
VIEW-1774
Left Over Toys.
Left Over Toys.
John Collins
1952
M965.199.7719
Ottawa's Barber Shop.
Ottawa's Barber Shop.
John Collins
About 1946
M965.199.9968
And We Hope they Live Happily Ever After.
And We Hope they Live Happily Ever After.
John Collins
About 1946
M965.199.452
The Side They Never Show You.
The Side They Never Show You.
John Collins
About 1951
M965.199.7721
An Important Piece.
An Important Piece.
John Collins
About 1946
M965.199.9970
Starting the Ball Rolling.
Starting the Ball Rolling.
John Collins
About 1946
M965.199.9969
The Gallows They Made Themselves.
The Gallows They Made Themselves.
John Collins
About 1946
M965.199.9972

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.