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Cartoon - Can't Get His Mind Off the Farmer's Daughter. | McCord Museum
Il ne peut oublier la fille du fermier
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Il ne peut oublier la fille du fermier

Cartoon

Can't Get His Mind Off the Farmer's Daughter.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date 1949
Medium / Technique Ink and graphite on paper
Dimensions37.0 x 28.9 cm
Origin Canada
Object NumberM965.199.5999
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Taking His Mind Off His Work.
Taking His Mind Off His Work.
John Collins
About 1939
M965.199.4253
Taking His Mind Off His Work.
Taking His Mind Off His Work.
John Collins
About 1939
M965.199.4288
Taking His Mind Off His Work ?.
Taking His Mind Off His Work ?.
John Collins
1940/01/24
M965.199.1979
Take a Load Off His Mind.
Take a Load Off His Mind.
John Collins
1943/01/26
M965.199.2004
Can't Call Off His Dog.
Can't Call Off His Dog.
John Collins
About 1954
M965.199.7567
Can't Tame It and Can't Get Off.
Can't Tame It and Can't Get Off.
John Collins
About 1965
M965.199.1640
Hard to Keep His Mind on His Work.
Hard to Keep His Mind on His Work.
John Collins
1948
M965.199.8252
Trying to Change His Mind.
Trying to Change His Mind.
John Collins
About 1952
M965.199.5515
Can't Seem to Outrun His Shadow.
Can't Seem to Outrun His Shadow.
John Collins
About 1960
M965.199.3989
Don't Let It Take Your Mind Off Your Work.
Don't Let It Take Your Mind Off Your Work.
John Collins
About 1951
M965.199.7829
Cutting Off His Nose to Spite His Face.
Cutting Off His Nose to Spite His Face.
John Collins
About 1959
M965.199.9083
Cutting Off His Nose to Spite His Face.
Cutting Off His Nose to Spite His Face.
John Collins
About 1951
M965.199.7776

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.