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Cartoon - Wrong Way to Lay Bricks. | McCord Museum
La mauvaise façon de poser des briques
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La mauvaise façon de poser des briques

Cartoon

Wrong Way to Lay Bricks.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1952
Medium / Technique Ink, graphite and opaque white pigment on paper
Dimensions36.8 x 28.6 cm
Origin Canada
Object NumberM965.199.5507
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Wrong Way on a One-Way Street.
Wrong Way on a One-Way Street.
John Collins
About 1953
M965.199.615
A couple of bricks short of a hod
A couple of bricks short of a hod
Aislin
2001
M2008.143.11
They're Little Bricks
They're Little Bricks
Rostap
1904
M2001X.6.43.1.4
Another Wrong Way Run.
Another Wrong Way Run.
John Collins
About 1949
M965.199.8372
Looking the Wrong Way !.
Looking the Wrong Way !.
John Collins
1938-1939
M965.199.4317
Looking at it the Wrong Way.
Looking at it the Wrong Way.
John Collins
1941/08/28
M965.199.3192
Bricklayer with bricks stacked in a wooden holder or palette, Trois-Rivières(?), QC, ca. 1915
Bricklayer with bricks stacked in a wooden holder or palette, Trois-Rivières(?), QC, ca. 1915
Harry Sutcliffe
About 1915
M2011.64.2.5.13
A Golden Goose Lays No Golden Eggs.
A Golden Goose Lays No Golden Eggs.
John Collins
About 1946
M965.199.109
Wrong Way John.
Wrong Way John.
John Collins
About 1964
M965.199.1685
Looking the Wrong Way.
Looking the Wrong Way.
John Collins
1941/02/26
M965.199.3046
"But He's Going in the Wrong Direction-".
"But He's Going in the Wrong Direction-".
John Collins
About 1947
M965.199.1336
Trying On the Wrong Suit.
Trying On the Wrong Suit.
John Collins
1949
M965.199.7867

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.