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Cartoon - Look Who Has to Push the Cart. | McCord Museum
Regardez qui doit pousser le chariot
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Regardez qui doit pousser le chariot

Cartoon

Look Who Has to Push the Cart.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date 1957
Medium / Technique Ink, graphite and opaque white pigment on paper
Dimensions37.4 x 29.1 cm
Origin Montreal, Quebec, Canada
Object NumberM965.199.517
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
But Look Who Has the Wheel.
But Look Who Has the Wheel.
John Collins
1949
M965.199.8377
The Man Who Has Everything.
The Man Who Has Everything.
John Collins
About 1966
M965.199.5941
For the Man Who Has Everything.
For the Man Who Has Everything.
John Collins
About 1967
M965.199.9287
Who Has Hooked Whom ?.
Who Has Hooked Whom ?.
John Collins
About 1967
M965.199.6485
Now He Really Has Something to Cry About.
Now He Really Has Something to Cry About.
John Collins
About 1953
M965.199.9486
Khrushchev Has Adopted the Fireside Chat-News Item.
Khrushchev Has Adopted the Fireside Chat-News Item.
John Collins
About 1961
M965.199.8974
Something New Has Been Added.
Something New Has Been Added.
John Collins
About 1946
M965.199.10021
Always Has His Hook in Troubled Waters.
Always Has His Hook in Troubled Waters.
John Collins
About 1951
M965.199.7855
Baby Has Outgrown His Pen.
Baby Has Outgrown His Pen.
John Collins
About 1951
M965.199.7856
Has Only Himself to Blame.
Has Only Himself to Blame.
John Collins
About 1949
M965.199.7868
Everybody Has a Small Car these Days.
Everybody Has a Small Car these Days.
John Collins
1959
M965.199.6019
"How the Old Place Has Changed".
"How the Old Place Has Changed".
John Collins
About 1953
M965.199.5564

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.