Skip to main content
Collections Menu
Cartoon - Paying the Fiddler. | McCord Museum
Il faut payer le violoniste
Il faut payer le violoniste

Cartoon

Paying the Fiddler.
Artist (1917-2007)
SignatureL. l. within image, JOHN COLLINS
Date About 1959
Medium / Technique Ink, graphite and opaque white pigment on paper
Dimensions36.9 x 29.1 cm
Origin Canada
Object NumberM965.199.5167
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Paying the fiddler
Paying the fiddler
John Collins
About 1953
M965.199.1213
Fiddlers Three.
Fiddlers Three.
John Collins
About 1949
M965.199.9802
Fiddlers Three.
Fiddlers Three.
John Collins
1941/09/23
M965.199.3212
Maybe We Should Be Paying More Attention to the Flagpole.
Maybe We Should Be Paying More Attention to the Flagpole.
John Collins
1964
M965.199.2840
Fiddler on the Roof.
Fiddler on the Roof.
John Collins
About 1967
M965.199.5915
Puzzle: Find Who's Paying for the Mistletoe.
Puzzle: Find Who's Paying for the Mistletoe.
John Collins
About 1946
M965.199.2914
How to Avoid Paying to Walk Your Dog in Westmount
How to Avoid Paying to Walk Your Dog in Westmount
Serge Chapleau
1997
M998.51.23
Joe Clark, street fiddler
Joe Clark, street fiddler
Duncan Macpherson
1992
M2012.123.409
I have a vague feeling they're not paying attention to me...
I have a vague feeling they're not paying attention to me...
Serge Chapleau
1985
M996.10.261
Paying the bill
Paying the bill
Duncan Macpherson
1992
M2012.123.730
Fiddler, bronze sculpture, Notman studio prop, 1866
Fiddler, bronze sculpture, Notman studio prop, 1866
William Notman
1866
I-21230.1
Left Over Toys.
Left Over Toys.
John Collins
1952
M965.199.7719

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.