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Cartoon - A Stitch-And High Time. | McCord Museum
Un point à temps en vaut cent
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Un point à temps en vaut cent

Cartoon

A Stitch-And High Time.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1957
Medium / Technique Ink and graphite on paper
Dimensions37.0 x 29.5 cm
Origin Montreal, Quebec, Canada
Object NumberM965.199.513
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
A Stitch in Time ?.
A Stitch in Time ?.
John Collins
About 1955
M965.199.9881
A Stitch in Time.
A Stitch in Time.
John Collins
About 1958
M965.199.6351
High Time He Let His Right Hand Know What His Left Is Doing.
High Time He Let His Right Hand Know What His Left Is Doing.
John Collins
1949
M965.199.1385
"One at a Time-One at a Time !".
"One at a Time-One at a Time !".
John Collins
About 1969
M965.199.6919
Bad Weather for High Hats.
Bad Weather for High Hats.
John Collins
About 1946
M965.199.9976
Trying to Bring Him Down Off His High Horse.
Trying to Bring Him Down Off His High Horse.
John Collins
1956
M965.199.1033
Let's All Get Off our High Horse.
Let's All Get Off our High Horse.
John Collins
About 1953
M965.199.9478
If He Just Comes Down Off His High Horse.
If He Just Comes Down Off His High Horse.
John Collins
About 1946
M965.199.217
The High Road and the Low.
The High Road and the Low.
John Collins
About 1946
M965.199.218
"We're Not Going that High !".
"We're Not Going that High !".
John Collins
About 1955
M965.199.10066
The Ladder that Bring 'Em Down Off their High Horse.
The Ladder that Bring 'Em Down Off their High Horse.
John Collins
1949
M965.199.7866
High Altitude Bombing.
High Altitude Bombing.
John Collins
About 1950
M965.199.9151

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.