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Cartoon - Blowing His Top. | McCord Museum
Hausse record du mercure
Hausse record du mercure

Cartoon

Blowing His Top.
Artist (1917-2007)
SignatureL. l. within image, JOHN COLLINS
Date About 1959
Medium / Technique Ink, graphite and opaque white pigment on paper
Dimensions36.6 x 29.1 cm
Origin Canada
Object NumberM965.199.5124
CollectionMcCord
CreditGift of John Collins - The Gazette

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
His Bark Is Worse than His Bite.
His Bark Is Worse than His Bite.
John Collins
About 1953
M965.199.5359
Hard to Keep His Mind on His Work.
Hard to Keep His Mind on His Work.
John Collins
1948
M965.199.8252
High Time He Let His Right Hand Know What His Left Is Doing.
High Time He Let His Right Hand Know What His Left Is Doing.
John Collins
1949
M965.199.1385
Taking His Mind Off His Work.
Taking His Mind Off His Work.
John Collins
About 1939
M965.199.4253
Time His Left Hand Knew What His Right is Doing.
Time His Left Hand Knew What His Right is Doing.
John Collins
About 1946
M965.199.104
Taking His Mind Off His Work ?.
Taking His Mind Off His Work ?.
John Collins
1940/01/24
M965.199.1979
Under the Washington Big Top.
Under the Washington Big Top.
John Collins
About 1949
M965.199.8078
No Way to Top a Tree.
No Way to Top a Tree.
John Collins
About 1947
M965.199.229
The Surrey with the Fringe on Top.
The Surrey with the Fringe on Top.
John Collins
About 1949
M965.199.5975
Only Room for One at the Top of the Tree.
Only Room for One at the Top of the Tree.
John Collins
1953
M965.199.7363
Looks Different When You Get to the Top.
Looks Different When You Get to the Top.
John Collins
About 1958
M965.199.6274
Top Tosser.
Top Tosser.
John Collins
About 1945
M965.199.2443

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.