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Cartoon - If He Can't Get in the Back Door-. | McCord Museum
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Par la porte d'en arrière

Cartoon

If He Can't Get in the Back Door-.
Artist (1917-2007)
SignatureL. l. within image, JOHN COLLINS
Date About 1959
Medium / Technique Ink, graphite and opaque white pigment on paper
Dimensions36.8 x 29.0 cm
Origin Canada
Object NumberM965.199.5083
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Trying to Get in the Back Door.
Trying to Get in the Back Door.
John Collins
About 1953
M965.199.8623
That Drive Can't Get Very Far.
That Drive Can't Get Very Far.
John Collins
About 1952
M965.199.6153
We Can't Let the Big One Get Away.
We Can't Let the Big One Get Away.
John Collins
About 1957
M965.199.6375
"I Can't Understand Why We Don't Get an Answer".
"I Can't Understand Why We Don't Get an Answer".
John Collins
About 1966
M965.199.928
That Door Gets Narrower All the Time.
That Door Gets Narrower All the Time.
John Collins
About 1962
M965.199.7047
Can't Do Much about it until He Tackle the Breeding Areas.
Can't Do Much about it until He Tackle the Breeding Areas.
John Collins
About 1963
M965.199.7295
Trying the Back Door.
Trying the Back Door.
John Collins
About 1949
M965.199.7633
The Back Door.
The Back Door.
John Collins
1940/08/16
M965.199.1866
Coming in the Back Door.
Coming in the Back Door.
John Collins
1944
M965.199.5645
He Who Gets Soaked.
He Who Gets Soaked.
John Collins
About 1953
M965.199.683
He Managed to Get it Into the House.
He Managed to Get it Into the House.
John Collins
1957
M965.199.6245
"Every Time I Get Him on the Couch He Falls Asleep".
"Every Time I Get Him on the Couch He Falls Asleep".
John Collins
1962
M965.199.3533

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.