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Cartoon - Patch-Work Quilt. | McCord Museum
La courtepointe mal en point
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La courtepointe mal en point

Cartoon

Patch-Work Quilt.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1956
Medium / Technique Ink, graphite and opaque white pigment on paper
Dimensions36.7 x 29.2 cm
Origin Montreal, Quebec, Canada
Object NumberM965.199.455
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
The Oliver Twists of the Melon Patch.
The Oliver Twists of the Melon Patch.
John Collins
About 1959
M965.199.5113
Hard to Keep His Mind on His Work.
Hard to Keep His Mind on His Work.
John Collins
1948
M965.199.8252
Giving Him the Works.
Giving Him the Works.
John Collins
About 1956
M965.199.8592
"We Have a Winter Works Program Too".
"We Have a Winter Works Program Too".
John Collins
About 1960
M965.199.8873
Still Some Plumbing Work to Be Done.
Still Some Plumbing Work to Be Done.
John Collins
About 1962
M965.199.3813
Not Exactly Team Work.
Not Exactly Team Work.
John Collins
About 1949
M965.199.8354
It's Off to Work We Go.
It's Off to Work We Go.
John Collins
About 1949
M965.199.8392
Don't Let It Take Your Mind Off Your Work.
Don't Let It Take Your Mind Off Your Work.
John Collins
About 1951
M965.199.7829
Hi Ho ! Hi Ho ! It's Off to Work We Go !.
Hi Ho ! Hi Ho ! It's Off to Work We Go !.
John Collins
About 1961
M965.199.9234
Doing His Dirty Work.
Doing His Dirty Work.
John Collins
About 1952
M965.199.5178
Our Economic DDT Doesn't Seem to Work Either.
Our Economic DDT Doesn't Seem to Work Either.
John Collins
About 1969
M965.199.6889
Taking His Mind Off His Work.
Taking His Mind Off His Work.
John Collins
About 1939
M965.199.4253

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.