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Cartoon - Baiting the Hook. | McCord Museum
L'appât à l'hameçon
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L'appât à l'hameçon

Cartoon

Baiting the Hook.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1955
Medium / Technique Ink, graphite, watercolour on Paper
Dimensions37.1 x 29.3 cm
Origin Montreal, Quebec, Canada
Object NumberM965.199.402
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

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Online Collections | McCord Museum - Montreal Social History Museum
The Umpire-Baiting Season Is On Again.
The Umpire-Baiting Season Is On Again.
John Collins
About 1946
M965.199.9948
A New Hook.
A New Hook.
John Collins
About 1952
M965.199.5489
The Hook.
The Hook.
John Collins
About 1947
M965.199.1366
Always Has His Hook in Troubled Waters.
Always Has His Hook in Troubled Waters.
John Collins
About 1951
M965.199.7855
Your Hook is Showing, Joe.
Your Hook is Showing, Joe.
John Collins
About 1947
M965.199.10042
New Bait for the Hook.
New Bait for the Hook.
John Collins
About 1954
M965.199.7600
Fish hook
Fish hook
John Henry Walker
1878-1880
M930.50.8.460.1-2
Forcillo Hooks Up with Doré
Forcillo Hooks Up with Doré
Serge Chapleau
1998
M2000.93.211
Coercion's Hook and Ladder Truck
Coercion's Hook and Ladder Truck
Rostap
1905
M2001X.6.43.4.4
All's Well That Ends Well.-A Sketch During the Fishing Season. She Planted in His Neck the Hook
All's Well That Ends Well.-A Sketch During the Fishing Season. She Planted in His Neck the Hook
Anonymous
1873/10/18
M985.230.259.4
All's Well That Ends Well.-A Sketch During the Fishing Season. The Fish-Hook he Cannot Extract
All's Well That Ends Well.-A Sketch During the Fishing Season. The Fish-Hook he Cannot Extract
Anonymous
1873
M985.230.259.5-6
Fashions for Easy Living: Hook, Line and Sinker... 
Fashions for Easy Living: Hook, Line and Sinker... 
Georgine Strathy
1974
M2017.118.186

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.