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Cartoon - The Bandwagon Broke Down. | McCord Museum
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Cartoon

The Bandwagon Broke Down.
Artist (1917-2007)
SignatureL. l. within image, JOHN COLLINS
Date About 1962
Medium / Technique Ink and graphite on paper
Dimensions36.9 x 29.3 cm
Origin Canada
Object NumberM965.199.3831
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
The Straw that Broke the Camel's Back.
The Straw that Broke the Camel's Back.
John Collins
About 1970
M965.199.6428
Kim Campbell Missing the Victory Bandwagon
Kim Campbell Missing the Victory Bandwagon
Aislin
1993/03/17
m996.11.115
Fate Magazine (June 1959): How I Broke the Houdini Code
Fate Magazine (June 1959): How I Broke the Houdini Code
1959
M2014.128.705.35.1-6
It's Better to Get Down than to Fall Down.
It's Better to Get Down than to Fall Down.
John Collins
About 1947
M965.199.1363
Trying to Bring Him Down Off His High Horse.
Trying to Bring Him Down Off His High Horse.
John Collins
1956
M965.199.1033
We Have to Come Down to Earth Some Time.
We Have to Come Down to Earth Some Time.
John Collins
About 1949
M965.199.5953
If He Just Comes Down Off His High Horse.
If He Just Comes Down Off His High Horse.
John Collins
About 1946
M965.199.217
The Count Down.
The Count Down.
John Collins
1960/03/15
M965.199.2385
The Ladder that Bring 'Em Down Off their High Horse.
The Ladder that Bring 'Em Down Off their High Horse.
John Collins
1949
M965.199.7866
Getting Down to the Fine Print.
Getting Down to the Fine Print.
John Collins
About 1958
M965.199.1166
The Son of Heaven Comes Down to Earth.
The Son of Heaven Comes Down to Earth.
John Collins
About 1945
M965.199.410
The Long Court-Down.
The Long Court-Down.
John Collins
About 1964
M965.199.2841

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.