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Cartoon - Trying to Lock the Stable Door. | McCord Museum
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Cartoon

Trying to Lock the Stable Door.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1962
Medium / Technique Ink, graphite and opaque white pigment on paper
Dimensions36.8 x 29.2 cm
Origin Canada
Object NumberM965.199.3751
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
We Haven't Learned to Lock the Stable Door Yet.
We Haven't Learned to Lock the Stable Door Yet.
John Collins
1963
M965.199.7104
Ottawa's Stable Door.
Ottawa's Stable Door.
John Collins
About 1951
M965.199.7787
Trying the Back Door.
Trying the Back Door.
John Collins
About 1949
M965.199.7633
Isn't there Something about Locking Stable Doors ?.
Isn't there Something about Locking Stable Doors ?.
John Collins
About 1955
M965.199.9896
Locking the Stable Door.
Locking the Stable Door.
John Collins
1941/06/11
M965.199.3129
Trying to Get a Foot in the Door.
Trying to Get a Foot in the Door.
John Collins
About 1960
M965.199.3998
Trying to Get in the Back Door.
Trying to Get in the Back Door.
John Collins
About 1953
M965.199.8623
Trying to Fish Both Sides of the Boat.
Trying to Fish Both Sides of the Boat.
John Collins
About 1956
M965.199.1021
Trying to Keep Both Going at Once.
Trying to Keep Both Going at Once.
John Collins
About 1951
M965.199.7793
Trying to Bring Him Down Off His High Horse.
Trying to Bring Him Down Off His High Horse.
John Collins
1956
M965.199.1033
After all those Years of Trying.
After all those Years of Trying.
John Collins
1960
M965.199.3987
Still Trying to Get a Fourth for Bridge.
Still Trying to Get a Fourth for Bridge.
John Collins
About 1953
M965.199.9495

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.