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Cartoon - We Must Care For Him Now !. | McCord Museum
C'est maintenant qu'il faut s'occuper de lui!
C'est maintenant qu'il faut s'occuper de lui!

Cartoon

We Must Care For Him Now !.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date 1942/09/14
Medium / Technique Ink, crayon, graphite and opaque white pigment on card
Dimensions38.3 x 28.2 cm
Origin Canada
Object NumberM965.199.3363
CollectionMcCord
CreditGift of John Collins - The Gazette

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
"By the Beard of the Prophet-We Arabs Must Stick Together.
"By the Beard of the Prophet-We Arabs Must Stick Together.
John Collins
About 1961
M965.199.8964
If We Must Go Native.
If We Must Go Native.
John Collins
About 1952
M965.199.8799
"We Must All Stick Together".
"We Must All Stick Together".
John Collins
1963
M965.199.7137
Now We Know What That Salute Means.
Now We Know What That Salute Means.
John Collins
1940/01/15
M965.199.3014
"Now I'll Let You Go in and Try and Check Him".
"Now I'll Let You Go in and Try and Check Him".
John Collins
About 1948
M965.199.3618
Now We Have a Johnson Too.
Now We Have a Johnson Too.
John Collins
1966
M965.199.871
The Pen Must Be as Mighty as the Sword.
The Pen Must Be as Mighty as the Sword.
John Collins
About 1945
M965.199.4514
Must Be Someone He Ate.
Must Be Someone He Ate.
John Collins
1941/03/07
M965.199.3054
It'll Take More Than Cares.
It'll Take More Than Cares.
John Collins
1941/10/15
M965.199.3230
Now We Have to Grow Into It.
Now We Have to Grow Into It.
John Collins
1948-1949
M965.199.9412
Now We Know What It Stands For.
Now We Know What It Stands For.
John Collins
About 1949
M965.199.8396
Now We Get to See the Souvenirs.
Now We Get to See the Souvenirs.
John Collins
1954
M965.199.9530

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.