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Cartoon - "How Our Boy Has Grown !". | McCord Museum
Comme notre garçon a grandi!
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Comme notre garçon a grandi!

Cartoon

"How Our Boy Has Grown !".
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date 1953
Medium / Technique Ink, graphite and opaque white pigment on paper
Dimensions36.8 x 29.3 cm
Origin Canada
Object NumberM965.199.2997
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
How that Baby Has Grown.
How that Baby Has Grown.
John Collins
About 1951
M965.199.8267
"How the Old Place Has Changed".
"How the Old Place Has Changed".
John Collins
About 1953
M965.199.5564
How the Picture has Changed !.
How the Picture has Changed !.
John Collins
1962
M965.199.7052
"Our Campaign Has Really Caught Fire"-Mr. Pearson.
"Our Campaign Has Really Caught Fire"-Mr. Pearson.
John Collins
About 1962
M965.199.3834
How That Salute Has Changed !.
How That Salute Has Changed !.
John Collins
1940/01/23
M965.199.3020
How the View Has Changed !.
How the View Has Changed !.
John Collins
1944
M965.199.5672
News Item: London Has Its Worst Fog in Years.
News Item: London Has Its Worst Fog in Years.
John Collins
About 1952
M965.199.5485
The Campaign Has Reached the Baby-Kissing Stage.
The Campaign Has Reached the Baby-Kissing Stage.
John Collins
1962
M965.199.3535
But Look Who Has the Wheel.
But Look Who Has the Wheel.
John Collins
1949
M965.199.8377
Always Has His Hook in Troubled Waters.
Always Has His Hook in Troubled Waters.
John Collins
About 1951
M965.199.7855
Baby Has Outgrown His Pen.
Baby Has Outgrown His Pen.
John Collins
About 1951
M965.199.7856
Has Only Himself to Blame.
Has Only Himself to Blame.
John Collins
About 1949
M965.199.7868

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.