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Cartoon - Which is the True Picture ?. | McCord Museum
Qui a la vision la plus juste?
Qui a la vision la plus juste?

Cartoon

Which is the True Picture ?.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1948
Medium / Technique Ink and graphite on paper
Dimensions36.5 x 29.0 cm
Origin Montreal, Quebec, Canada
Object NumberM965.199.2615
CollectionMcCord
CreditGift of John Collins - The Gazette

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

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Online Collections | McCord Museum - Montreal Social History Museum
A True and Perfect Relation of Elizabeth Freeman of Bishops-Hatfield in the Country of Hertford, of a Strange and Wonderful Apparition Which Appeard to Her several times, and commended Her to declare a Message to His Most Sacred Majesty
January 24, 1680 - January 27, 1680
S001/B2.6,1.4
Which Will It Spell ?.
Which Will It Spell ?.
John Collins
About 1949
M965.199.8390
Which Will Fit ?.
Which Will Fit ?.
John Collins
About 1953
M965.199.9519
For Which We Give Thanks.
For Which We Give Thanks.
John Collins
About 1949
M965.199.5969
The Diet on Which He Grew.
The Diet on Which He Grew.
John Collins
About 1946
M965.199.2881
Which is Witch ?.
Which is Witch ?.
John Collins
1964
M965.199.9577
Which End Are We Going to Use ?.
Which End Are We Going to Use ?.
John Collins
About 1947
M965.199.8328
Depends on Which Side of the Fence You're On.
Depends on Which Side of the Fence You're On.
John Collins
About 1956
M965.199.369
Which View Will Appeal to the Jury ?.
Which View Will Appeal to the Jury ?.
John Collins
About 1949
M965.199.1374
Which Comes First.
Which Comes First.
John Collins
About 1957
M965.199.510
Which is More Likely to Be Respected ?.
Which is More Likely to Be Respected ?.
John Collins
About 1948
M965.199.3564
The Empire on Which the Sun Never Sets.
The Empire on Which the Sun Never Sets.
John Collins
About 1947
M965.199.1324

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.