Skip to main content
Collections Menu
Cartoon - Aiming at the Top. | McCord Museum
Le Canadien vise le sommet
Le Canadien vise le sommet

Cartoon

Aiming at the Top.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date 1945-1950
Medium / Technique Ink, graphite, printed film on Paper
Dimensions38.2 x 36.3 cm
Origin Montreal, Quebec, Canada
Object NumberM965.199.2547
CollectionMcCord
CreditGift of John Collins - The Gazette

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Picture Puzzle: Guess What He's Aiming At.
Picture Puzzle: Guess What He's Aiming At.
John Collins
About 1959
M965.199.5229
You Can't Bring Down the Bird by Aiming at the Decoys.
You Can't Bring Down the Bird by Aiming at the Decoys.
John Collins
About 1947
M965.199.526
AIMING FOR THE CUP.
AIMING FOR THE CUP.
John Collins
About 1946
M965.199.2580.1
Aiming to Take Dave's Crown.
Aiming to Take Dave's Crown.
John Collins
About 1945
M965.199.2424
Aiming at the Keystone.
Aiming at the Keystone.
John Collins
1943/04/29
M965.199.2080
Lucien Bouchard at the MSO: aiming for zero deficit…
Lucien Bouchard at the MSO: aiming for zero deficit…
Garnotte
2004
M2009.50.350
The Dark at the Top of the Stairs.
The Dark at the Top of the Stairs.
John Collins
About 1960
M965.199.9376
Under the Washington Big Top.
Under the Washington Big Top.
John Collins
About 1949
M965.199.8078
Sitting on Top of the World.
Sitting on Top of the World.
John Collins
1945
M965.199.2508
No Way to Top a Tree.
No Way to Top a Tree.
John Collins
About 1947
M965.199.229
The Surrey with the Fringe on Top.
The Surrey with the Fringe on Top.
John Collins
About 1949
M965.199.5975
"Oh, I Have a Top All Right-".
"Oh, I Have a Top All Right-".
John Collins
1964
M965.199.2786

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.